(and both at the same time ))Īlso the 2nd movement (aka Y) on they key plunge is great too… whilst conceptually its like aftertouch, its really something much better than that…Īlso it’s worth noting, all the sensitivity of the ‘axis’ are controllable on the panel, and are very accessible. Not sure that makes sense, without trying it… but summary is, it does very well at both using pressure to gradually play sounds, and also having a strike action.
#Expressive e touche sweetwater Patch#
When you switch to a percussive patch (where that pressure might not be used), then the strike is where you would expect. So yeah, whilst you’ll hear a lot of talk about how light the (initial) touch is (and wow it is!) this is just because this is a unique aspect, and is based on particular patches (e.g. I also chatted briefly to someone I know involved in the project, who has had the prototypes of the Osmose for a long time, and he said, he has been surprised how good it is as a conventional synth/midi keyboard and has often used it in this way. (unlike say the Roli Seaboard, which Id say could not really take this role, esp for percussive sounds) Whilst it is a little different in feel, Id say the answer to this is YES it could (at least for me). as a midi controller, for bread n’ butter synths/piano?” “Could the Osmose replace a ‘normal synth’ keyboard, e.g. One of the question I was asking myself before was: I had some good time with the Osmose at SB21.
So (unsurprisingly) not the same as a weighted hammer action, but still playable.Īlso for ‘piano’ use, its only got 49 keys (so 3.5 octaves), so that’s pretty limiting for classical pieces For playing piano type sounds (so just a strike), it’ll be quite a similar to a ‘synth’ action keybed.
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